RIVERSIDE SMJ-6118, SRS-6060 日本 1975
€54.91
Media : 良好 (VG+), 封套 : 良好 (VG+), 侧封 : 良好 (VG+)
封面内页, 盘面有较浅印记 *图片来自网络而非实物。
Bill Evans' greatest album, indispensable in jazz history
This album contains live recordings from the Village Vanguard in 1961. The sad thing was that Scott LaFaro died in an accident 10 days after the recording.
MILESTONE SMJ-6038 日本 1974
€45.23
Media : 良好 (VG+), 封套 : 良好 (VG+), 侧封 : 良好 (VG+)
封面内页, 封面有划痕/破损 *图片来自网络而非实物。
One of the Riverside tetralogy by a leading modern jazz pianist
The tracks on the album include such classic repertoire as "Israel" and "Elsa," as well as "Nerdies," a song that Miles Davis dedicated to his beloved Evans.
ビル・エヴァンス、ジム・ホール - Undercurrent
UNITED ARTISTS LAX 3112, LAX-3112, UAS 15003 日本 1976
€38.78
Media : 良好 (VG+), 封套 : 良好 (VG+)
封面内页 *图片来自网络而非实物。
A masterpiece session duo album by a famous pianist and guitarist who are renowned in jazz history.
Bill Evans and Jim Hall, two unique figures in jazz history, perform famous numbers including the classic "My Funny Valentine" in a duo that remains fresh over time.
ビル・エヴァンス、ジェレミー・スタイグ - What's New
VERVE V6-8777 美国 1969
€16.20
Media : 良好 (VG+), 封套 : 一般(VG)
封面有划痕/破损, 封面贴有贴纸 *图片来自网络而非实物。
A poetic dialogue between piano and flute. A unique jazz session with tranquil innovation.
A unique collaboration between modern jazz master Bill Evans and flutist Jeremy Steig. The classical and free-spirited atmosphere will move your soul.
RIVERSIDE VIJ-113 日本 1984
€54.91
Media : 美品 (EX), 封套 : 良好 (VG+), 侧封 : 良好 (VG+)
封面内页 *图片来自网络而非实物。
Bill Evans' greatest album, indispensable in jazz history
This album contains live recordings from the Village Vanguard in 1961. The sad thing was that Scott LaFaro died in an accident 10 days after the recording.
ビル・エヴァンス - At The Montreux Jazz Festival
VERVE 20MJ 0003 日本 1985
€29.10
Media : 良好 (VG+), 封套 : 良好 (VG+), 侧封 : 良好 (VG+)
封面内页, 封面有划痕/破损
RIVERSIDE VIJ-102 日本 1984
€35.55
Media : 美品 (EX), 封套 : 一般(VG)
封面内页, 封面有明显污渍 *图片来自网络而非实物。
One of the Riverside tetralogy by a leading modern jazz pianist
The tracks on the album include such classic repertoire as "Israel" and "Elsa," as well as "Nerdies," a song that Miles Davis dedicated to his beloved Evans.
ビル・エヴァンス、ジェレミー・スタイグ - What's New
VERVE MV 2095 日本 1969
€12.97
Media : 良好 (VG+), 封套 : 一般(VG)
封面内页, 封面有划痕/破损
A poetic dialogue between piano and flute. A unique jazz session with tranquil innovation.
A unique collaboration between modern jazz master Bill Evans and flutist Jeremy Steig. The classical and free-spirited atmosphere will move your soul.
RIVERSIDE SR-7015 日本 1962
€151.68
Media : 良好 (VG+), 封套 : 良好 (VG+)
盘面有较浅印记
Bill Evans' greatest album, indispensable in jazz history
This album contains live recordings from the Village Vanguard in 1961. The sad thing was that Scott LaFaro died in an accident 10 days after the recording.
ビル・エヴァンス、ジェレミー・スタイグ - What's New
VERVE V6-8777 日本 1970
€9.75
Media : 良好 (VG+), 封套 : 一般(VG)
封面内页, 封面接缝处开裂, 封面有划痕/破损, 封面内页变色 *图片来自网络而非实物。
A poetic dialogue between piano and flute. A unique jazz session with tranquil innovation.
A unique collaboration between modern jazz master Bill Evans and flutist Jeremy Steig. The classical and free-spirited atmosphere will move your soul.
ビル・エヴァンス - Sunday At Village Vanguard (180g)
RIVERSIDE / ALTO EDITION RLP 376 德国
€94.26
Media : 良好 (VG+), 封套 : 良好 (VG+)
封面有划痕/破损 *图片来自网络而非实物。
The greatest live jazz recording ever made.
Originally released in 1961, this is the best performance by the trio of Bill Evans (Pf.), Scott LaFaro (Ba.) and Paul Motian (Dr.) and is such a classic that it has been reissued many times.
ビル・エヴァンス - Waltz For Debby (- Hq-180g)
ANALOGUE PRODUCTIONS APJ 009 美国 1992
€132.33
Media : 美品 (EX), 封套 : 良好 (VG+)
Limited Edition No'd #2572
Bill Evans' greatest album, indispensable in jazz history
This album contains live recordings from the Village Vanguard in 1961. The sad thing was that Scott LaFaro died in an accident 10 days after the recording.
ビル・エヴァンス - At Town Hall, Volume One
VERVE 23MJ 3039 日本 1981
€19.42
Media : 良好 (VG+), 封套 : 一般(VG)
封面内页, 封面有划痕/破损, 盘面有较浅印记
This is the first live recording from the New York Concert Hall in 1966.
One of Bill Evans's masterpieces from his mid-period.
