The origins of Blood, Sweat & Tears
The innovativeness of jazz rock is evident in their debut work.
"Child Is Father To The Man" is a monumental work that defined Blood, Sweat & Tears' musical style. The horn section was at the forefront of the band's fresh sound, and the fusion of rock and jazz was a brilliant achievement. It was a masterpiece that had a huge impact on the music scene in the late 60s.
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12 TRACKS:
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1)
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Overature
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2)
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I Love You More Than You'll Ever Know
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3)
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Morning Glory
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4)
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My Days Are Numbered
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5)
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Without Her
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6)
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Just One Smile
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7)
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I Can't Quit Her
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8)
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Meagan's Gypsy Eyes
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9)
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Somethin' Goin' On
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10)
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House In The Country
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11)
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The Modern Times Of Plato, Dioenes And Freud
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12)
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So Much Love
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Violin - Harry Lookofsky (1-12)
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Violin - Manny Green
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Cello - Charles McCracken (1-12)
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Engineer - Fred Catero
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Producer - John Simon
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Trumpet, Flugelhorn - Randy Brecker (1-12)
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Organ, Piano, Keyboards [Ondioline], Vocals - Al Kooper (1-12)
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Violin - Gene Orloff (1-12)
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Backing Vocals - Valerie Simpson (1-12)
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Acoustic Guitar, Lute - Steve Katz (1-12)
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Guitar, Vocals - Steve Katz (1-12)
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Viola - Manny Vard
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Violin - Paul Gershman (1-12)
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Violin - Leon Kruczek
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Drums, Percussion, Vocals - Bobby Colomby
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Viola - Harold Colletta
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Violin - Harry Katzman (1-12)
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Violin - Julie Held (1-12)
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Violin - Anahid Ajemian (1-12)
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Trombone - Dick Halligan
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Alto Saxophone, Piano - Fred Lipsius
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Photography By [Cover] - Bob Cato
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Trumpet, Flugelhorn - Jerry Weiss (1-12)
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Backing Vocals - Melba Moorman (1-12)
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Photography By - Don Hunstein
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Photography By [Cover] - Al Gescheidt
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Bass - Jim Felder
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Cello - Alan Schuman (1-12)
